This painting is one of a series of Kangra paintings in the Museum's collection which depict various scenes from the life of Krishna. The love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society. Kangra Art | 15257. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. The term subjects in art refers to the main idea that is represented in the artwork. The female figures seen in these paintings are depicted as graceful and beautiful idealisations, handled by the painters with utmost delicacy and tenderness. They illustrate the finest specimens of various kinds of nayika described by the Hindi poets of the riti genre. Kangra School of Painting From the end of the 18th century until the first part of the 19th the Kangra state was one of the most important of the mountain powers and had a prosperous and cultivated court which attracted many artists who were victims of the insecurity of the times. Workshop for Kangra Painting. Provenance: Collection of Dr. K. Aterman. The main theme of the Pahari painting is the depiction of people. The subjects are seen in Kangra painting exhibit the taste and the traits of the lifestyle of the society of that period. Acquired in London, c. 1950s-1960s. They were patronised by the Rajput rulers between 17th and 19 th centuries. The new arrivals mingled with the local artists and were greatly influenced by the atmosphere of the hills. This trend got morphed into eternal scenes painted in natural settings with colors extracted from minerals and vegetables. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra. He wrote 23 scholarly books on such subjects at a time when the focus was on classical art." Kangra District was part of the British province of Punjab. This is the main headline. The pictorial art of Kangra is one of the finest gifts of India to the art-world. In the background are a grove of trees, one with pink flowers, another entwined by a thick creeper. Colors made of vegetable and mineral extracts are used by the artists. The figure of youthful coy nayika seen in Kangra miniatures is an ideal physical type which is slender and elegant, radiating infinite charm, sensitiveness and refinement. The Guler-Kangra art is the art of drawing and the drawing is precise and fluid, lyrical and naturalistic. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. Like most art forms of the ancient era, the subjects of most paintings are Hindu gods, goddesses, and saints. (25.4 x 18 cm.) The arms of lovers are about each other’s neck. Verdant greenery of the landscape, brooks, springs were the recurrent images on the miniatures. Painting, opaque watercolour on paper, Radha in a gold-colored skirt and bodice with a transparent red veil sits embracing Krishna on a bed of plantain leaves. The scene was a nocturne with Radha and Krishna seated on a bed of leaves with the river flowing past the tryst in a gentle curve. The Kangra Arts Promotion Society is trying to promote the traditional valuable products and arts in the socio-economic development of rural artisans. Road: Kangra is well connected by road to cities like Delhi, Chandigarh and Shimla. The colour scheme of Kangra painting appears to be toned down in such a way that it looks soft, cool but brilliant and cheerful. Egrets and plantain trees are seen on the bank of a stream filled with red lotuses and leaves. Bhakti cult was the driving force and the love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. The Kangra painting excels in the female figures, which were generally conceived as the embodiments of youth, beauty and emotive sentiment. However, the new style gathered such huge number of works that the Pahari Painting became synonymous with Kangra paintings. In these styles the faces are well modelled and shaded so judiciously that they possess almost porcelain-like delicacy. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. Aurangzeb was a cruel Mughal ruler, He hated painting and music. Kangra paintings are known for the lyrical blending of form and color. Shringar (the erotic sentiment) is considered as the Focal theme of Kangra paintings. The royal atelier of Kangla produced a large number of paintings covering diverse subjects. In some miniatures, the blue-god Krishna is seen dancing in the lush woodlands and every maiden’s eye are drawn to him. The Kangra style is by far the most poetic and lyrical of Indian styles, says art historian J. C. Harle. The second main pool of the subjects for Kangra paintings, like Tanjore painting, came form the religious and literary books of Indian mythology and the popular literature. In 1780 A.D., the ‘Gular Kalam’ was at its peak. The three main centers of Kangra painting are Guler, Nurpur and Tira-Sujanpur. Some scholars consider Basohli as the origin place of Pahari School. Published: Dr. Pratapadiyta Pal, Collecting Art in British India. A careful attention was paid to the details. The focal theme of Kangra painting is Shringar (the erotic sentiment). Guler painters were largely influenced by the grandeur and demeanour of their masters. 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